The Storytelling Images special exhibition is built around “story-paintings” or “narrative paintings” at its core. The exhibition hopes to give color to how images can surpass textual descriptions, providing visitors with a richer sense of their expressive potential and defining features.How do we get a picture to tell a story?When a painter uses images to recreate or interpret a story, their primary goal is to ensure that the viewer can recognize the depicted content. Given the artwork’s various size and format constraints (i.e. handscroll, hanging scroll, or album), the painter needs to carefully select the key moments from the plot, compose an appropriate scene, and shape the figures, their appearances, and their actions. Only by doing so can they complete the task of telling a story.Why paint this type of story? Which stories were selected to be turned into images? And when they were drawn, who were the intended audiences? By identifying and sorting through the themes of these paintings, we can try to deduce the artist’s ideas and mindset at the time of their creation. Perhaps what emerges is a cultural identity that spans generations—another intriguing way to appreciate these works.How should we understand narrative paintings?The richer a viewer's knowledge of history and literature, the more likely they are to match the elements in a painting to the corresponding text. Those who lived in the same time period as the artist, sharing similar experiences and thoughts, would have found it easier to recognize the selection of the scene and its depiction. In contrast, how much can contemporary audiences identify? If the story portrayed in the work is difficult to identify, does that mean the opportunity for engaged viewing is lost?Through this exhibition, not only can you appreciate how painters used images to engage with captivating stories, you can also measure your own visual literacy. See if you can travel through time to receive the vibrant messages that the artists intended to convey.
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The Storytelling Images special exhibition is built around “story-paintings” or “narrative paintings” at its core. The exhibition hopes to give color to how images can surpass textual descriptions, providing visitors with a richer sense of their expressive potential and defining features. How do we get a picture to tell a story?When a painter uses images to recreate or interpret a story, their primary goal is to ensure that the viewer can recognize the depicted content. Given the artwork’s various size and format constraints (i.e. handscroll, hanging scroll, or album), the painter needs to carefully select the key moments from the plot, compose an appropriate scene, and shape the figures, their appearances, and their actions. Only by doing so can they complete the task of telling a story. Why paint this type of story? Which stories were selected to be turned into images? And when they were drawn, who were the intended audiences? By identifying and sorting through the themes of these paintings, we can try to deduce the artist’s ideas and mindset at the time of their creation. Perhaps what emerges is a cultural identity that spans generations—another intriguing way to appreciate these works. How should we understand narrative paintings?The richer a viewer's knowledge of history and literature, the more likely they are to match the elements in a painting to the corresponding text. Those who lived in the same time period as the artist, sharing similar experiences and thoughts, would have found it easier to recognize the selection of the scene and its depiction. In contrast, how much can contemporary audiences identify? If the story portrayed in the work is difficult to identify, does that mean the opportunity for engaged viewing is lost? Through this exhibition, not only can you appreciate how painters used images to engage with captivating stories, you can also measure your own visual literacy. See if you can travel through time to receive the vibrant messages that the artists intended to convey.
Publisher
Hsiao Tsung-Huang
Editor
邱士華、林宛儒
Author
Translator
Publisher
NATIONAL PALACE MUSEUM
Publication Date
2024/Nov.
Version
First edition, first print.
ISBN-1
9789575628826
Pages
248
Binding
Paperback
Packaging Material
塑膠膜
Content Size Length
29.7
cm
Content Size Width
23
cm
Content Size Height
2
cm
Package Size Length
29.7
cm
Package Size Width
23
cm
Package Size Height
2
cm
Gross Weight
1241
g
Main Material of the Product
Paper
Fragile
No
Place of Origin
Taiwan
Manufacturer
SUHAI DESIGN AND PRINTING COMPANY
Design
吳彩華
商品備註
The product is authorized by the National Palace Museum. All rights reserved by the National Palace Museum and Copyright holders. If you order goods before or after receipt of merchandise and hope to further understand the product's use, or have any concerns about this product, please call or letter contact with the customer service. A slight color difference due to shooting, pictures are for reference only, color to the actual receipt of goods shall prevail.